KABUL — A calligraphy exhibition in Kabul, titled From the Throat of the Ghazal to the Tip of the Pen, drew artists and visitors from across Afghanistan and Iran, with women and girls participating prominently as both creators and audience members.
Featuring dozens of pieces ranging from Quranic verses to classical Persian poetry, the exhibition showcased works in revered calligraphic styles such as Nastaliq and Thuluth, alongside traditional miniature painting. The event brought together established calligraphers and emerging talents to celebrate a shared artistic heritage.
Organizers said the exhibition aimed to foster cultural dialogue and preserve the region’s rich visual traditions. “Calligraphy is not just an art form; it’s a bridge between language, identity, and faith,” one organizer noted.
“We’re proud to present calligraphy that reflects centuries of cultural identity and shared artistic tradition,” one of the curators said.
Among the visitors was Mian Haidari, a young participant, who noted the exhibition’s value especially in the current context. “This kind of event benefits the younger generation, especially at a time when girls cannot study or pursue other opportunities,” she said. “It motivates and uplifts them.”
Calligrapher Shukria Hosseini echoed that view, describing the exhibition as a rare outlet amid restrictions. “With schools and parks closed, these cultural spaces are essential for women,” she said. “It helps us stay connected to art and to each other.”
Another visitor, Sediqa Sakandari, said the experience had a lasting emotional impact. “Doors to schools and parks are closed to us. This exhibition gave us a sense of hope,” she said.
Several Iranian calligraphers also contributed their work, which drew strong interest from attendees. “People were genuinely curious about the lines and motifs in Iranian scripts,” said Rafat Sadat Mousavi, one of the featured Iranian artists. “They asked thoughtful questions, and I was glad to share what I could.”
The exhibition was open to the public for several days, and organizers expressed hope that similar initiatives would continue. While the event was primarily focused on the art itself, many saw it as a quiet reaffirmation of cultural engagement—and for some, a reminder of the power of creative expression in uncertain times.
